黑動 BLACK MOVES身臨其境的VR視頻安裝

BLACK MOVES是一個身臨其境的視頻安裝，由三個不同版本（第一卷、第二卷和第三卷）組成，可以在不同的設(shè)置下實(shí)現(xiàn)。這是一個空間戲劇和一個虛擬景觀，模擬了一個無定形的黑色物質(zhì)的形成和去形成，一個令人想起的感官展開，穿越在一個黑暗的球形空間內(nèi)所經(jīng)歷的物理和心理的邊界之間。黑色動作源于我對自然變化的長期癡迷和迷戀，特別是無形的形狀和它們的運(yùn)動。水、巖石、空氣和云等自然物質(zhì)的轉(zhuǎn)化能力產(chǎn)生了無限變化的形式，這些形式看起來既有序又隨機(jī)。這些神奇的轉(zhuǎn)變不斷迷惑和迷住感官，創(chuàng)造了一個豐富的感性旅程，是一個神秘的未知宇宙特許。這個未知的宇宙可以被看作是一個外在世界的代表，同時也是心靈的一面鏡子，內(nèi)在的和超越的通過不斷變化的視聽性融合為一。BLACK MOVES是一個10分鐘身臨其境的視頻循環(huán)，帶有環(huán)繞聲，可為三種不同的設(shè)置定制。視頻中的多層視覺效果是通過一套模擬自然界中有機(jī)形態(tài)和圖案的噪聲生成算法生成的。這些像噪音一樣的有機(jī)視覺晶體是我試圖通過虛擬景觀的創(chuàng)造來自然化數(shù)字圖像。------《黑幕》（第一卷）是專門為360度全穹頂投影設(shè)計(jì)的，在這里鼓勵觀眾的身體活動。在這個版本中，作品將呈現(xiàn)在一個完整的穹頂里，觀眾可以沉浸其中，從各個方向體驗(yàn)作品。兩個擴(kuò)展版本（第二卷和第三卷）也可用于介紹工作。在第二卷中，作品將呈現(xiàn)為一個大型多視頻投影，其中圖像以超寬寬高墻投影，覆蓋了大型暗室中觀眾的周邊視野。這個版本在前面的圖像和多重投影的水平性之間產(chǎn)生了強(qiáng)烈的張力，為它的觀眾產(chǎn)生了耀眼的水平眩暈。黑匣子單頻道放映版（第三卷）是專門為在一個較小的暗室或電影院放映而設(shè)計(jì)的，觀眾可以坐在投影前觀看。在這個版本中，平面屏幕的二維性和精心制作的視覺效果所產(chǎn)生的準(zhǔn)三維體驗(yàn)之間的相互作用被有意地強(qiáng)調(diào)，允許觀眾通過平面感體驗(yàn)深度，而無需借助3D眼鏡。項(xiàng)目開發(fā)時間EMDL.歐盟residency由Trans-Media Akademie Hellerau資助，由Sociétédes Arts Technologies[SAT]支持，維也納應(yīng)用藝術(shù)大學(xué)，i-DAT（數(shù)字藝術(shù)與技術(shù)學(xué)院），通信、教育和大眾傳媒新技術(shù)實(shí)驗(yàn)室（UoA NTLab），普呂瑞爾和蘭蒂斯。照片文件約翰尼游俠聲音由：烏爾夫蘭海因里希

BLACK MOVES is an immersive video installation consisting of three different versions (volume I, II & III) that can be implemented in different settings. It is a spatial drama and a virtual landscape that simulates the forming and de-forming of an amorphous black mass, an evocative sensorial unfolding that traverses between the boundaries of the physical and the psychological as experienced inside a dark spherical space. BLACK MOVES springs from my long obsession and fascination with natural transformations, particularly formless shapes and their movement. The transformative power of natural substances such as water, rock, air and clouds produce infinite varying forms that seem both ordered and random at the same time. These magical transformations continuously disorient and fascinate the senses, creating a rich perceptual journey that is chartered for a mysterious unknown cosmic. This unknown cosmic can be seen as a representation of an external world as well as a mirror of the psyche from within, where the immanent and the transcendent are fused as one via the ever-changing audiovisuality. BLACK MOVES is a 10-minute immersive video loop with surround sound that are customized for three different kinds of setup. The multi-layered visuals in the video are created with a set of noise-generation algorithm simulating organic formations and patterns found in nature. These noise-like organic visual crystals are my attempts in naturalizing digital imageries via the creation of a virtual landscape. ------ BLACK MOVES (volume I) is specifically created and designed for 360-degree full dome projection where physical mobility of audience is encouraged. In this version, the work will be presented in a full dome where viewers can be immersed, and experienced the work from all directions. Two extended versions (volume II & III) are also available for presenting the work. In volume II, the work will be presented as a large multi-video projection where the image is projected in a super wide aspect ratio with a high wall, covering the peripheral visions of the viewer in a large dark room. This version creates strong tensions between the image as experienced in front and the horizontality of the multiple projections, producing a dazzling horizontal vertigo for its viewers. A black-box single-channel screening version (volume III) is created specially for be presentation in a smaller dark room or cinema where viewers can sit in front of the projection. In this version, the interplay between 2-dimesnionality of the flat screen and the quasi 3-D experience generated by the carefully crafted visuals is purposely highlighted, allowing audience to experience depth via flatness without the aid of 3D glasses. Project developed at EMDL.eu residency? Funded by Trans-Media-Akademie Hellerau and Supported by Société des Arts Technologiques [SAT], University of Applied Arts Vienna, i-DAT (Institute of Digital Art and Technology), Laboratory of New Technologies in Communication, Education and the Mass Media (UoA NTLab),kondition pluriel and LANTISS. Photos documentation by Johnny Ranger Sound by : Ulf Langheinrich