全息影像mapping技術 -- 《井》WELL

饅頭山社區(qū)，杭州最古老的社區(qū)之一，坐落于鳳凰山腳路，南宋皇城遺址所在地，特殊的歷史背景以及地理位置，加之人文風貌，使饅頭山社區(qū)被賦予了許多特別的屬性，這里有新舊沖突，發(fā)展的遺殤。我們試圖利用新媒體手段完成一個社區(qū)公共藝術項目，選擇的切入點是一口社區(qū)內(nèi)的老井，這口老井，是當?shù)鼐用袢粘Ｉ钣盟囊粋€重要水源，每天使用井水的居民絡繹不絕，這是她們的生活習慣，一個重要組成部分，在拆遷重修的過程中，這幾口井被保留了下來，對于目睹了整個拆遷翻修過程的我，他對我而言是一個無法忽視符號，一個載體，進而引發(fā)我的思考，什么是時代發(fā)展的代價，又是什么去定義代價的范疇，我們選擇闊步向前，又似乎執(zhí)著于某個固守的情懷，那么被摧毀的，不一定是物象本身，而被保留的，也未必是精神，作品內(nèi)容沿襲了我的實驗影像一，利用mapping技術，在實地物品上對其進行再創(chuàng)作 Shantoushan Community, one of the oldest communities in Hangzhou, is located at the foot of Fenghuang Mountain, the site of the Southern Song Dynasty Imperial City Site. The special historical background and geographical location, combined with the humanistic features, have given the Shantou Mountain community many special attributes. Old and new conflicts, the will of development. We are trying to use a new media method to complete a community public art project. The entry point is the old well in the community. This old well is an important source of water for daily life of local residents. The residents who use well water every day are constantly flowing. This is an important part of their living habits. During the process of demolition and rebuilding, these wells have been preserved. For me who witnessed the entire demolition and renovation process, he is a negligible symbol for me. A carrier, which in turn leads me to think, what is the price of the development of the times, and what is the definition of the scope of the cost. We choose to move forward and seem to be obsessed with a certain feeling of attachment. Then the destroyed is not necessarily the object. It is not necessarily the spirit of itself, but the content of the work follows my experimental image. I use the mapping technique to recreate it on the real thing.